The stage adaptation of Margaret Atwood's Penelopiad is about to open at the National Arts Centre in Ottawa, after a brief run in England. Here's part of the CTV account:
"The Penelopiad" is Atwood's retelling of Homer's "The Odyssey" from the point of view of Odysseus' wife Penelope.
In the original epic Greek poem, Penelope waits years for the return of her husband Odysseus, who is feared dead, from the Trojan War.
"She's finally telling her story," Atwood told CTV's Canada AM. "In the 'Odyssey,' she's the patient, suffering wife. But can anybody really be that patient, that suffering for that long?"
But Atwood's retelling of the story is not only limited to the wife of Odysseus. She also gives voices and characters to Penelope's 12 maids, who become her closest allies as she deals with the advances of suitors.
At the end of Homer's "Odyssey," Penelope's 12 maids are hung by a single piece of rope, "an episode so disagreeable that a lot of people in modern retellings just leave it out."
"That ticked me off," Atwood said. "For our modern sensibility it's a very brutal and excessive and awful thing to do."
"The Penelopiad" continues Atwood's penchant for putting twists on famous texts and looking at them from the view of different characters.
And from hour.ca:
Atwood worked on the script at all stages, creating a piece that blends both classical and contemporary elements: The Greek chorus does less keening and more cancan-ing. A trial takes place via video, only to have a meddling god hit eject. The universe is put back in order, but no easy answers emerge when it comes to Penelope's fidelity.